https://devlaravel.imosver.com/en/libros/enrique-vila-matas-00100199260010019926Enrique Vila-Matas8.89Este volumen es una reedición del número 7 de la revista Cuadernos de Narrativa, publicada en noviembre de 2002. Aquí se reúnen los textos de las conferencias y comunicaciones presentadas en el "Grandhttps://static.arnoia.com/imagenes_small/9788476/978847635692.jpgLibrosLibros/METODO IDIOMAS, FILOLOGIA Y LINGÜÍSTICAEn stockARCO-LIBROS000https://static.arnoia.com/imagenes_small/9788476/978847635692.jpg0010051339001001992500100198279.3650.472007/01/019788476356920Andrés-Suárez, Irene/Casas, AnaLibrosaño_2007idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Andrés-Suárez, Irene/Casas, Anasaga_CUADERNOS DE NARRATIVA
Artículo
Enrique Vila-Matas
Andrés-Suárez Irene/Casas
ARCO-LIBROS
METODO IDIOMAS, FILOLOGIA
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Este volumen es una reedición del número 7 de la revista Cuadernos de Narrativa, publicada en noviembre de 2002. Aquí se reúnen los textos de las conferencias y comunicaciones presentadas en el "Grand Séminaire de Neuchatel. Coloquio Internacional Enrique Vila-Matas", celebrado en la Universidad de Neuchatel durante los días 2 y 3 de diciembre de 2002. Todos los trabajos aquí incluidos coinciden en subrayar la originalidad de la obra de Enrique Vila-Matas, sin duda, uno de los escritores españoles más innovadores del momento. Desde que empezó su andadura en el campo de las letras en 1973 con Mujer en el espejo contemplando el paisaje, su narrativa se ha caracterizado por la ironía mordaz y la imaginación desbordante que hallan sus referencias culturales en autores como Kafka, Pessoa y Rulfo. Aficionado a poner en solfa el llamado realismo español, denuncia Vila-Matas la actitud conservadora que hace de España "el país donde más obsesionados están por entender las novelas". En el trabajo que abre este volumen, cuyo significativo título es "Aunque no entendamos nada", reivindica precisamente el estímulo creativo que suponen los textos (los libros, las películas) "incomprensibles" para el escritor. En su artículo, Enrique Vila-Matas se divierte también, cómo no, despistando al lector, enredándolo en los juegos de la autoficción, que mezclan y confunden materiales procedentes de la propia biografía con otros inventados. A éste, le siguen otros tantos artículos de especialistas como Julia Otxoa, José María Pozuelo Yvancos, Irene Alameda, Yvette Sánchez, Alessandra Giovannini, Rebeca Martín, Carlota Casas Baró, Fernando Valls, Juan Antonio Masoliver Ródenas, David Roas, Domingo Ródenas de Moya, que analizan en detalle los diferentes aspectos de la narrativa del autor barcelonés. La obra se cierra con una exhaustiva bibliografía de y sobre Enrique Vila-Matas.